[POSTPONED] Threesome: Cherdonna Shinatra, Jarbeaux, and Martha Graham Cracker
- Repair Revolution (map)
- Google Calendar ICS
Be seduced and challenged all at once through a combination of pleasure, song, and spectacle. What happens when three oddballs take on a world obsessed with couples and have a go at the social geometry of femme triangles in a square masc world?
Plan Your Visit
OtB is located in Uptown at 100 West Roy St, Seattle WA, 98119, on the corner of 1st Ave West and West Roy St.
Parking in the city can be difficult, especially when there are major events at Seattle Center. We recommend public transportation, carpooling, and planning, in order to best enjoy your visit to On the Boards.
Bus Routes: D line, 1, 2, 8, 13, 29, 32
Parking Lots (within 3 blocks of OtB)
U-Park - 1st Ave W / West Roy - $10.00 after 6PM
Diamond - 1st Ave W (between W Roy & Mercer) - $5.00 after 5PM
Republic - 2nd Ave W (behind KFC) - $5.00 after 5PM
Chase Bank Lot - (Mercer / 1st Ave N) - evenings after 6PM, Sat after 2PM, Sun/Holidays All Day - $3.00 per hour
4-Hour Street Parking
Mercer between 1st Ave W and 2nd Ave W
1st Ave W between W Roy and Mercer
1st Ave W between Republican and W Harrison
Coming from out of town? Stay close:
Mediterranean Inn Queen Anne
Inn at Queen Anne
MarQueen Hotel
The Maxwell Hotel
We recommend accounting for traffic and parking availability, based on the activities of other nearby venues:
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2022-2023 ARTISTS
Takahiro Yamamoto is a multidisciplinary artist and choreographer based in Portland, Oregon (Cowlitz, Clackamas and Confederated Tribes of Grand Ronde). His current conceptual investigations revolve around the phenomenological effects of time, embodied approach to the presence of nothingness, and the social/emotional implications of visibility.
Born in Oita Prefecture in 1992, Ayaka Nakama is a dancer based in Kobe, Japan. Nakama trained at Rambert School of Ballet and Contemporary Dance (London) before continuing her studies as a scholarship student at dB Academy (Kobe). While also creating her own works, she has also recently performed in works by Mika Kurosawa, Toshiki Okada (chelfitsch), contact Gonzo among others.
Christopher K. Morgan founded CKM&A in 2011; the same year Dance Magazine profiled him as one of six breakout choreographers in the United States. He and the company have been recognized with fellowships and grants from the New England Foundation for the Arts, National Performance Network, Creative Capital, Dance USA, The Native Arts and Cultures Foundation, and The Western Arts Alliance.
Jody Kuehner aka Cherdonna Shinatra uses dance, drag, theater, comedy, camp, pop culture, feminist traditions, absurdity and subversive commentary to make art. Kuehner is a 2020 NEFA’s NDP finalist, 2017 Artist Trust Fellowship recipient, 2016 NEFA’s NDP awardee, and 2015 Stranger Genius Award winner.
Jarbeaux or John Jarboe(she/her) is a director, singer, writer, and host serving you revolution, herstory, queer community making, and a whole lot of glitter. She is the founding artistic director of The Bearded Ladies Cabaret and has made original work for La Mama ETC, Joe’s Pub, Opera Philadelphia, The Philadelphia Museum of Art, The Wilma Theater, and most recently, Rose You Are Who You Eat for The Guggenheim’s Works & Process.
Martha Graham Cracker, the tallest, hairiest drag queen in the world, is the alter-ego of Dito van Reigersberg. She performs regularly at Joe's Pub and has also appeared at Union Transfer, Oberon, Philadelphia's City Hall, and The Guthrie Theater. Dito is a co-founder of Pig Iron Theatre Company.
Faye Driscoll is a Bessie Award-winning performance maker who has been hailed as a “startlingly original talent” (Roslyn Sulcas, The New York Times) and “a postmillenium postmodern wild woman” (Deborah Jowitt, The Village Voice).
Joseph Keckler is a singer, writer, composer and multimedia creator who often zeroes in on moments from daily life and transforms them into absurd and affecting underworld voyages. His performances have been featured by NPR’s Tiny Desk series, Lincoln Center, Centre Pompidou, among others.
ABBY ZBIKOWSKI created her company Abby Z and the New Utility in 2012 with founding members Fiona Lundie and Jennifer Meckley. Zbikowski received the 2017 Juried Bessie Award for her “unique and utterly authentic movement vocabulary in complex and demanding structures to create works of great energy, intensity, surprise, and danger.”
zoe | juniper creations exist at the intersection of dance, installation and video technology. We dissolve barriers between art, artist and audience by challenging expectations of perception and making space for empathy and connection. Collaborating with artists from diverse fields, we employ a specific, singular combination of bodies, light, sound and sculpture to realize each project.
Zoë Poluch’s artistic practice puts into motion different mediums and takes shape in different rooms. Her love-hate relationship with the “contemporary dance” scene is based on a long term and practice-based interest in the politics and poetics of moving and sensing. As she teaches, dances, talks, writes and thinks, she does it with a precise gymnastics of the senses.
Elisa Harkins is a Native American (Cherokee/Muscogee) artist and composer based in Tulsa, Oklahoma. Her work is concerned with translation, language preservation, and Indigenous musicology. Harkins uses the Cherokee and Mvskoke languages, electronic music, sculpture, and the body as her tools. Harkins received a BA from Columbia College, Chicago and an MFA from CALARTS.
Hanako Hoshimi-Caines is a mother, dancer, performance-maker, writer, questioner, enthusiast and organizer born and based in Tiohtià:ke/Montreal. Her work plays with the pleasure and the haunt of the familiar as strategies of resistance and transformation.
Chari Glogovac-Smith is a composer, performer, and mixed media artist. Using an evolving mixture of traditional and experimental techniques, Chari is dynamically exploring and illustrating various counterpoints between human experience and society.
Gary Champi is a dance artist originally from San Diego, CA. He performs between New York and Seattle, drawing on experience with a variety of choreographers, touring nationally and abroad in theater spaces, museum installations, and site-specific work.
Saira Barbaric (they. he. she. ze.) is a multidisciplinary, gender blending hedonist creature in a thicc Black human suit. Saira graduated from The Theatre School at DePaul with BFA in costume design.
Alistair Fyrn (They/He) is a mixed media creator whose work explores eroticism, trauma, and mythos. In 2017, they co-founded Scumtrust Productions, a queer porn film crew. The films they have helped to craft have shown nationally and internationally.
Brendan Mack (they/them) also known as Terrible Drag Performer Butch Alice is a writer, director, puppet person, chaotic hell storm, friend, lover, and I guess a performer. Focusing in Scenic and Prop design at college at Syracuse University, Brendan had found their way into every area of theater.
Minna Lee (they/them/she/her) is a Hmong-Vietnamese American writer, animator, and performer making art on Lenape land and pursuing an MFA in Playwriting at Hunter College.
Arabella is a queer Filipin/x/a/o immigrant who is a lifelong learner with a Gemini moon with too many interests and drive to help in telling more stories.
Moonyeka is a nonbinary Filipinx femme interdisciplinary artist with a specialty in dance and movement-based storytelling.
Fox Whitney’s transgender and queer point of view is at the heart of his performance project, Gender Tender, founded in 2012. He creates experiences that investigate the nature of queer relationships, trans histories and the surreal nature of transformation.
Vanessa Goodman is the Artistic Director of the performance company Action at a Distance Dance Society. The company would like to respectfully acknowledge that it is working on the ancestral and unceded territories of the Musqueam, Squamish and Tsleil-Waututh people.
Allie Hankins is a dancer, performer, and maker who recently performed in a dream wherein she announced "Today I am Truit" before jumping into a pool.
Degenerate art ensemble makes live performances inspired by punk, comics, cinema, protest, nightmares, and fairy tales driven by live music and their own style of visceral movement theater and dance.
Dana Michel is a live artist. Her works interact with the expanded fields of improvisation, choreography, sculpture, comedy, hip-hop, cinematography, techno, poetry, psychology, dub and social commentary to create a centrifuge of experience.
Pamela Z is a composer, performer, and media artist working with voice, live electronic processing, sampled sound, and video. A pioneer of live digital looping techniques, she processes her voice in real time to create dense, complex sonic layers.
600 HIGHWAYMEN have always centered the creation of intimacy among strangers in their artistic practice. Their work exists at the intersection of theater, dance, contemporary performance, and civic encounter. Though the processes are varied, each project revolves around the same curiosity: what occurs in the live encounter between people.
Kyle Abraham is one of the most sought-after choreographers and dancers of our time. The bold creator has choreographed for New York City Ballet, NYCB dancer Wendy Whalen, Alvin Ailey American Dance Theater, and more.
Creative partners and best friends Claire Buss and Kat O'Hara created The Future is 0 in their Seattle living room in 2015. What started as a DIY art experiment has blossomed into a full-scale theatrical production with a team of ~20 collaborators.
PAST PERFORMANCES AT ON THE BOARDS
NOTHINGBEING is a project that investigates ways to embody the presence of nothingness and "being," breathing spaces that we could easily dismiss and considering possibilities for the unfiltered self. This project addresses the notion of nothingness and "being" from multiple modalities such as moments of highly physical movement, a communal meditation, and internal activation of sensory memories.
On the Boards is thrilled to host our 18th annual SPECTACLE SPECTACULAR Dinner Gala on Wednesday, May 3, 2023! We'll be celebrating OtB's legacy, welcoming our new Executive Director Megan Kiskaddon, and introducing our 2023-2024 Season.
What is our first memory of dancing? To write and choreograph Freeway Dance, Japanese dancer Ayaka Nakama asked a number of people close to her to describe their first memory of themselves dancing. Nakama treats these memories as choreography in order to reconstruct these movements with her own body.
Bear witness to stories from varied identities weaved together in celebration of difference and unique individuality. Native Intelligence/Innate Intelligence incorporates dance, Hawaiian chant and percussion, original compositions for cello, and multimedia scenic design to examine ancestry, home, and belonging.
UN-[TITLED] is an immersive, multisite-specific project that centers on the ways in which communities are displaced by gentrification. Guests are guided through a series of engagements and reckonings with community meaning, cultural memory, and healing in the Central and Chinatown-International Districts of Seattle.
Be seduced and challenged all at once through a combination of pleasure, song, and spectacle. What happens when three oddballs take on a world obsessed with couples and have a go at the social geometry of femme triangles in a square masc world?
Watch your favorite conventions be taken to new extremes. Integrating movement, original music, text, and rich visual design, Kidd Pivot’s performance work is assembled with recklessness and rigor, balancing sharp exactitude with irreverence and risk.
Faye Driscoll returns to On the Boards with a piece that’s well worth the wait! Faye Driscoll’s Thank You For Coming: Space is the final performance in her celebrated Thank You For Coming series. Driscoll considers theater one of the last secular social spaces, where the vulnerability and complexity of human interconnection is made palpable.
Take a dive into the unknown with Abby Z. RADIOACTIVE PRACTICE is the newest evening-length work by New York Dance and Performance “Bessie” Award-winning choreographer Abby Zbikowski and her company Abby Z and the New Utility.
Created at the intersection of dance, installation, video, and technology, The Other Shore is presented in two distinct sections and seeks to spark a simple shift in the structure of traditional performance to alter the relationship between audience and dancer. This work aims to expose vulnerabilities of performers and audiences, as well as examine the experience of seeing and being seen by expanding the possibilities of perception.
Created at the intersection of dance, installation, video, and technology, The Other Shore is presented in two distinct sections and seeks to spark a simple shift in the structure of traditional performance to alter the relationship between audience and dancer. This work aims to expose vulnerabilities of performers and audiences, as well as examine the experience of seeing and being seen by expanding the possibilities of perception.
RADIO III / ᎦᏬᏂᏍᎩ ᏦᎢ is an indigenous futuristic concert, a beautiful and uncomfortable dance performance and a perverse triangle of shifting power that seeks to be unfaithful to both minimalism and postmodern dance’s claims to so-called “neutrality”.
On the Boards is bringing together performers and animators to create a Digital Performance Cohort: Public Access: BLACKBOX WEATHERMXN. We’ve assembled 4 teams of 1 performer and 1 animator apiece and those are devising 10-minute pieces using the weather forecast technical format described below.
Erin Johnson has been a part of Velocity’s leadership for the past three years. There she works to create networks of support for Seattle-based dance artists, emerging through established, by building and sustaining residency and performance platforms; programming ongoing classes, discussions, and professional development opportunities; and by connecting Seattle artists to the inter/national dance community.
Allie Hankins’ By My Own Hand, Part 1: GHOSTING dissects the inner monologue of a performer through questioning the boundary lines of the audience-performer relationship.


A trip to Paris, Hamburg, Michigan, and Manhattan, all in one night. Joseph Keckler and an intimate musical ensemble move through a series of vignettes-- each like a stop on a late-night train-- and circle The Crossroads, a place of danger and possibility.