NOTHINGBEING is a project that investigates ways to embody the presence of nothingness and "being," breathing spaces that we could easily dismiss and considering possibilities for the unfiltered self. This project addresses the notion of nothingness and "being" from multiple modalities such as moments of highly physical movement, a communal meditation, and internal activation of sensory memories.

What is our first memory of dancing? To write and choreograph Freeway Dance, Japanese dancer Ayaka Nakama asked a number of people close to her to describe their first memory of themselves dancing. Nakama treats these memories as choreography in order to reconstruct these movements with her own body.

Bear witness to stories from varied identities weaved together in celebration of difference and unique individuality. Native Intelligence/Innate Intelligence incorporates dance, Hawaiian chant and percussion, original compositions for cello, and multimedia scenic design to examine ancestry, home, and belonging.

Be seduced and challenged all at once through a combination of pleasure, song, and spectacle. What happens when three oddballs take on a world obsessed with couples and have a go at the social geometry of femme triangles in a square masc world?

Faye Driscoll returns to On the Boards with a piece that’s well worth the wait!  Faye Driscoll’s Thank You For Coming: Space is the final performance in her celebrated Thank You For Coming series. Driscoll considers theater one of the last secular social spaces, where the vulnerability and complexity of human interconnection is made palpable.

A trip to Paris, Hamburg, Michigan, and Manhattan, all in one night. Joseph Keckler and an intimate musical ensemble move through a series of vignettes-- each like a stop on a late-night train-- and circle The Crossroads, a place of danger and possibility.

Take a dive into the unknown with Abby Z. RADIOACTIVE PRACTICE is the newest evening-length work by New York Dance and Performance “Bessie” Award-winning choreographer Abby Zbikowski and her company Abby Z and the New Utility.

Created at the intersection of dance, installation, video, and technology, The Other Shore is presented in two distinct sections and seeks to spark a simple shift in the structure of traditional performance to alter the relationship between audience and dancer. This work aims to expose vulnerabilities of performers and audiences, as well as examine the experience of seeing and being seen by expanding the possibilities of perception.

Created at the intersection of dance, installation, video, and technology, The Other Shore is presented in two distinct sections and seeks to spark a simple shift in the structure of traditional performance to alter the relationship between audience and dancer. This work aims to expose vulnerabilities of performers and audiences, as well as examine the experience of seeing and being seen by expanding the possibilities of perception.

RADIO III / ᎦᏬᏂᏍᎩ ᏦᎢ is an indigenous futuristic concert, a beautiful and uncomfortable dance performance and a perverse triangle of shifting power that seeks to be unfaithful to both minimalism and postmodern dance’s claims to so-called “neutrality”.