NOTHINGBEING is a project that investigates ways to embody the presence of nothingness and "being," breathing spaces that we could easily dismiss and considering possibilities for the unfiltered self. This project addresses the notion of nothingness and "being" from multiple modalities such as moments of highly physical movement, a communal meditation, and internal activation of sensory memories.

What is our first memory of dancing? To write and choreograph Freeway Dance, Japanese dancer Ayaka Nakama asked a number of people close to her to describe their first memory of themselves dancing. Nakama treats these memories as choreography in order to reconstruct these movements with her own body.

Bear witness to stories from varied identities weaved together in celebration of difference and unique individuality. Native Intelligence/Innate Intelligence incorporates dance, Hawaiian chant and percussion, original compositions for cello, and multimedia scenic design to examine ancestry, home, and belonging.

UN-[TITLED] is an immersive, multisite-specific project that centers on the ways in which communities are displaced by gentrification. Guests are guided through a series of engagements and reckonings with community meaning, cultural memory, and healing in the Central and Chinatown-International Districts of Seattle.

Be seduced and challenged all at once through a combination of pleasure, song, and spectacle. What happens when three oddballs take on a world obsessed with couples and have a go at the social geometry of femme triangles in a square masc world?

Faye Driscoll returns to On the Boards with a piece that’s well worth the wait!  Faye Driscoll’s Thank You For Coming: Space is the final performance in her celebrated Thank You For Coming series. Driscoll considers theater one of the last secular social spaces, where the vulnerability and complexity of human interconnection is made palpable.